1585-1634 Dutch Hendrick Avercamp Galleries Hendrick Avercamp (bapt. January 27, 1585, Amsterdam - buried May 15, 1634, Kampen (Overijssel)) was a Dutch painter. Avercamp studied in Amsterdam with the Danish-born portrait painter Pieter Isaacks (1569-1625), and perhaps also with David Vinckbooms. In 1608 he moved from Amsterdam to Kampen in the province of Overijssel. Avercamp was deaf and was known as "de Stomme van Kampen" (the mute of Kampen). As one of the first landscape painters of the 17th-century Dutch school, he specialized in painting the Netherlands in winter. Avercamp's paintings are colorful and lively, with carefully crafted images of the people in the landscape. Avercamp's work enjoyed great popularity and he sold his drawings, many of which were tinted with water-color, as finished pictures to be pasted into the albums of collectors. Queen Elizabeth II has an outstanding collection of his works at Windsor Castle, England.  Related Paintings of Hendrick Avercamp :. | Winter landscape | Winter Scene at Yselmuiden | Fun on the ice | Winter Landscape | Winter Scene at Yselmuiden |
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Peter F Rothermel
1817-1895 Peter F Rothermel Gallery Rothermel was born in Nescopeck, Pennsylvania in 1817, although some date his birth earlier in 1813 or 1814. He studied under John R. Smith and Bass Otis before studying in various places in Europe. He specialized in portraits and dramatic historical paintings. He served as Vice President of the Artists' Fund Society in 1844 and as Director of the Pennsylvania Academy of Fine Arts from 1847 to 1855. His most famous paintings include Patrick Henry before the Virginia House of Burgesses (1851) and a massive oil painting of the Battle of Gettysburg that hangs in the State Museum of Pennsylvania. This latter work was commissioned by Gettysburg lawyer David McConaughy. Another of his more popular historical works is Columbus Before the Queen, painted in 1844.
Josehp Bruggemann
painted Vista do Desterro in 1867
GHEERAERTS, Marcus the Younger
Flemish Baroque Era Painter, ca.1561-1636 was an artist of the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and Van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee, introducing a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the later 1610s. Marcus Gheeraerts the Younger was the son of the artist Marcus Gheeraerts the Elder and his wife Johanna. Hardly anything is known of the paintings of the elder Gheeraerts, although his work as a printmaker reached around Europe. Like other Protestant artists, Gheeraerts the Elder fled to England with his son to escape persecution in the Netherlands under the Duke of Alva. His wife was a Catholic and remained behind; she is assumed to have died a few years later. Father and son are recorded living with a Dutch servant in the London parish of St Mary Abchurch in 1568. On 9 September 1571, the elder Gheeraerts remarried. His new wife was Susanna de Critz, a member of an exiled family from Antwerp. It is uncertain by whom young Marcus was trained, although it is likely to have been his father; he was possibly also a pupil of Lucas de Heere. Records suggest that Marcus was active as a painter by 1586 In 1590 he married Magdalena, the sister of his stepmother Susanna and of the painter John de Critz.